The ARTICULATOR Talk Box produces effects such as the guitar talk box of Peter Frampton and Joe Walsh, but also Alan Parsons-ish vocoder sounds, combining the features of sung or spoken voice with an instrument's output. The MUTATOR Voice Designer lets you manipulate voices from subtle to extreme, permitting organic or alien manipulations but with results that still sound like voices, though perhaps not of this world. The range and nature of these adjustments takes vocal processing into some new territory. The rest of the Vocal Studio package focuses on vocal manipulations such as automatic doubling, harmony generation, tube amp warmth and vocal timbre adjustment. Even if you're new to the plug-in, chances are you know someone who's used it.
#AUTO TUNE PLUG SOFTWARE#
Since it's the best-selling pitch correction software going - and by a huge margin - there are a lot of existing Auto-Tune users. While still presenting a learning curve for the new user, the Auto-Tune 7 interface remains familiar enough for experienced users. Since its earliest days, automatic and graphical modes handle the various chores for the main Auto-Tune module. The originator is now a full-featured and functional vocal processor that still masters the innovative pitch correction duties it brought to the market, but adds a wide range of additional features and effects to help nail down the perfect vocal take.Īuto-Tune 7 forms the core of the Vocal Studio package, still tackling the pitch and time correction duties it always has. Each one offers unique features and I assure you that one of these plugins have exactly what you are looking for Now, lets get into the top 4 autotune plugins.
#AUTO TUNE PLUG FULL#
While iZotope's VocalSynth includes pitch correction features, it's more of a full vocal processor rather than a dedicated pitch correction app. GSnap is an open source alternative that produces similar results. Melodyne is a serious contender, due to its far more intuitive interface. Unlike some digital music signal processors, pitch correction hasn't generated a huge number of knock-offs. It joins "Pro Tools" from the audio world and "Photoshop" from digital imaging in this manner. Its brand name is now synonymous with the generic effect it originated. The Antares version of the effect has achieved "Kleenex" status. Celemony's Melodyne software substantially improves on Auto-Tune's interface and brought the full power of pitch correction to a plug-in ahead of the tool's originator, which still leads the pack when it comes to response and set-and-forget capability. It's nearly impossible to detect when used judiciously, nowhere near as obvious as when used for effect.Īuto-Tune is no longer the only player in the pitch correction game either. Though the anti-Auto-Tune camp seems vocal and large, rarely does a session go by without some use of pitch correction. The other side of the argument pointed out that tools such as compressors and limiters and effects such as audio exciters had already been modifying the sound and behavior of voices throughout the history of recording. The arguments resemble the resistance synthesizers received in the 1970s and 80s that led Queen to note that none were used on their albums. Many felt that using pitch correction was an artistic cheat, a way to bypass craft. Issues with Auto-Tune started soon after, with lines drawn between the purist and users camps. In the studio, Auto-Tune proved another weapon to "fix it in the mix." Later, real-time pitch correction hardware brought both effects and repairs to the stage. It was only a year later in 1998 that use of Auto-Tune as an effect rather than repair tool happened.Ĭalled the "Cher Effect" after the singer's hit, "Believe," artificial and abrupt pitch changes came into vogue. Rather than scrapping an entire take, Auto-Tune offered a repair tool that quickly caught on.
#AUTO TUNE PLUG SERIES#
Hildebrand's expertise with digital signal processing led to a series of audio plug-ins, including 1997's Auto-Tune, which could correct the pitch of a voice or any single-note instrument with surprisingly natural results.Īudio engineers now had a weapon against the occasional bum note. He left that field and returned to his early love of music, bringing knowledge that created seismic interpretation workstations and applied it to issues arising in the early days of digital music. Andy Hildebrand, the creator of Auto-Tune and its parent company Antares. However, it was seismic research that provided the background for Dr. You wouldn't think earthquakes have a lot to do with singing in pitch and they don't, really.
0 kommentar(er)
